Sukeban Deka II – San Shimai No Gyakushu     (By Jmaruyama)
For more information on this awesome series, please go to Verne Innhel’s comprehensive overview site, which was invaluable in this research: http://www.idollica.com/sukebanintro/SukebanDekaIntro.html


Japanese Title:

Sukeban Deka II – San Shimai No Gyakushu

Note: Thomas Weisser in his book “Japanese Cinema Encyclopedia” (Vital Books, 1997) refers to the movie as “Sukeban Deka II: ZaZoom”. This is probably a fan subbed variant of the title and not the “official” movie title.

 

English Title Equivalent:

Juvenile Cop II – The Three Sisters Strike Back

 

Released:

1987

 

Produced by

Toei

 

Director:

Tanaka Hideo

 

Based on Original Work by:

Wada Shinji

 

Screenplay:

Hashimoto Izou

 

Planning:

Maeda Kazuya

 

Cinematography:

Ikeda Kensaku

 

Music:

Nitta Ichiro

 

Art Direction:

Yasui Maruo

 

Up-and-coming, cocky young politician Sekine Gurando has formed the “Sei Cho Nen Chian Kyoku" (Young Elite Security Bureau) and uses it as a means to crack down on Juvenile Crime. As part of his plan he establishes an elite “Gakusei Keisatsu” (School Police) force. Kazama Yui (Asamiya Saki No. 3) finds herself an unwilling member of this new Police Force and soon finds their methods of Justice, extreme and appalling. Unwilling to continue aiding them, Yui resigns from the Police Force and returns back to Kyushu to lead a normal life.

The Three Sisters’ mentor Yoda Kazuya has secretly infiltrated the “Sei Cho Nen Chian Kyoku” and discovers their real purpose, the total political takeover of Japan. Before he can return to Kurayami Shirei, he is mortally wounded by the “Gakusei Keisatsu”. Before dying he relates this information to Yuma and Yuka. Yuma and Yuka call back Yui and beg her to return.

The Three Sisters attempt to confront Sekine but his “Gakusei Keisatsu” capture and nearly kill the three. All three are saved however and join up with the “Bangai Rengou” (Guerilla Movement) a small but fierce underground resistance group to oppose the “Sei Cho Nen Chian Kyoku”.

 


Based on the 1976 manga series by Shinji Wada which was serialized in the girl’s magazine “Hana To Yume”.

Shares some similarities with the movie “Zero Ka No Onna: Akai Techou [Wappa]” (Woman Of Zero Division: Red Handcuffs AKA Zero Woman; Toei, 1974). In the story Rei (Sugimoto Miki) is a Sukeban who is recruited by a clandestine Police Department Division that is charged with stopping radicals and foreign criminals, with “whatever means necessary”. Tetsuro Tanba played Rei’s direct supervisor and handler. Like Asamiya Saki, Rei was also equipped with specialized weaponry (in this case “red handcuffs” which were connected with a long chain). She would use these handcuffs to strangle her opponents and ensnare them. Being one of Toei’s more rougher 70’s “sexploitation” films, “Zero Woman” would also include Rei using her body to seduce criminals. It was directed by Noda Yukio (a mentor to Miike Takahashi).

Former 80’s J_Pop Idol, Saito Yuki had a string of hits during the 80’s including “Soutsugyo” [Graduation] (1985), “Hatsukoi” [First Love] (1985), “Aozora No Kakera” [Piece of Blue Sky] (1986), “Oracion – Inori” [Oracion – Prayer] (1988), and “Yume No Naka E” [In Your Dreams] (1989).

Her catchy single “Kanashimi O Konichiwa” [Hello Sadness] (1986) was used as the title song for the popular Anime series “Maison Ikkoku” (Kitty/Fuji TV; 1986).

In addition to her singing career, Saito also starred in a string of dramas and movies including “Hachidai Shogun Yoshimune” (The Eighth Shogun – Yoshimune; NHK, 1995), “Dousoukai” (Reunion; NTV, 1989), “Koisuru Onna Tachi” (Women In Love; Toho, 1987), “Yushun – Orashion” (Toho, 1988), “Hong Kong Paradise” (Toho, 1990), and “Ah Haru” (Ah, Spring; Shochiku, 1998). She was most recently seen in the movie “Inochi” (Life; 2002).

Saito’s single the haunting “Shiroi Hono” [White Flame] was used as the theme song for Season One of “Sukeban Deka”. The lyrics were written for her by another 80’s J-Pop icon, singer-song writer Tamaki Koji, lead member of the then popular group Anzenchitai.

With her cute face and trademark mole, J-Pop Idol Minamino Yoko AKA “Nanno” was a huge idol music star during the mid 80’s. Beginning with her debut single “Hazukashisugite” [Too Shy] (1985), she has a sting of hits including “Rakuen No Door” [Door To Heaven] (1987), “Aki No Indication” [Indication of Fall] (1987), “Hai Kara San Ga Toru” (1987), “Toiki De Netto” (1988), and “Aki Kara Mo Soba Ni Itte” [Stay With Me Even In The Fall] (1988).

She was seen in a number of Japanese Commercials (“CM”) including those for Glico Candies, Fuji Color Film, Kirin Beverages (Kirin Lemon 2101), Kanebo Cosmetics, Fujitsu Electronics and “House” Commodities.

In addition, like Saito Yuki before her, see branched out into films with a number of projects including “Shiroi Te“ (White Hands; Toei, 1990), “Kantsubaki” (Toei, 1992), “Watashi O Daite Soshite Kiss O Shite” (Hold Me and Kiss Me; Toei, 1992), “San Tabi No Kaikyo” (Three Travel Along The Japan Channel; Toei, 1995), “June Bride” (1998), “Hashire! Ichiro” (Run! Ichiro; 2001), “Sennen No Koi – Hikaru Genji Monogatari” (A Thousand Year Love – The Story of Genji; 2001), and “Shin Yuki Guni” (New Snow Country; 2002).

Minamino also continued working on TV projects, starring in such series as “Takeda Shingen” (NHK, 1988), “Aitsu Wa Trouble” (He’s In Trouble; CX, 1989), “Manuke Sensei” (The Absent Minded Teacher; TBS, 1998), “Big Wing” (TBS, 2001) and “Ikkakusenkin Ai Kazoku” (The “Get Rich Quick” Family; TBS, 2002).

Yoshizawa Akie was a member of the all-girl idol super group “Onyanko Club” (AKA “Nyan Nyan” or the Kitty Cat Club). They were the precursor to day’s “Morning Musume” group.

With over 25 members in its ranks, Onyanko Club was one of the biggest girl groups and produced a veritable who’s who of future singing stars including Sayuri Kokusho, Sayuri, Watanabe Marina, Kudo Shizuka, Ikuina Akiko, Saito Makiko, Watanabe Minayo, Takai Mamiko, Fukunaga Satomi, Kawai Sonoko, Nitta Eri, Iwai Yukiko (AKA Yuyuu).

The Onyanko Club had their own variety TV show called “Yuyake Nyan Nyan” (means "Sunset Meow Meow") where they would showcase their latest songs and interview other idols similar to MTV’s “Top Ten” Show.

While her career never reached the success of Saito Yuki or Minamino Yoko, Asuka Yui was none-the-less a popular idol of the 80’s (mostly due in part to her casting in Sukeban Deka). She had a string of moderately successful singles among which “C-Girl” (1988) was her best known. She didn’t star in as many movies as her successors but played the lead role of Ikuma Yawara in the movie “Yawara!” (Toho/My CAL Group; 1989).

While their singing talents left much to be desired, they none-the-less produced a string of smash hits during the 80’s including “Sailor Fuku O Nuganaide” [Don’t Take Off Your Sailor Uniform] (1985), “Oyoshi Ni Natte Yo Teacher” [Please Teach Me Teacher] (1985), “Otto Chikan” [Oh No, A Pervert] (1986), “Katatsumuri No Samba” [Snail Samba] (1987) and “No More Rei Ai Gokko” [No More Love Games] (1986).

As with “Morning Musume”, additional sub-groups also emerged (Ushiroyubi Sasaregumi and Ushirogami Hikaretai). Ushiroyubi Sasaregumi’s hit song “Banana No Namida” [Banana Tears] (1986) was used as the OP Theme Song for the animation “High School Kimengumi”.

The Onyanko Club disbanded in September 1987 so that its various members could pursue their own individual projects.

Tokusatsu Fans should remember Naka Koji better as Master Kaku in the Sentai Series “Go Sei Sentai Dai Ranger” (Toei; 1993).

Early in his long career, gruff veteran Actor Nagato Hiroyuki had been a child actor. After he graduated from Ritsumeikan University, he was made a contract player with Nikkatsu studios where he stared in a number of Imamura Shouhei films, "Nusumareta Yokujou" (1958), "Hateshinaki Yokubou" (1958), "Nianchan" (1959) and "Buta To Gunkan" (1960). He has since been seen in numerous movies and TV series among which include “Ningen No Shomei” (AKA Proof of Man; Kadokawa/Toei, 1977) and the recent Miike Takashi horror-fest “Gokudo Kyofu Dai-Gekijo: Gozu” (Klock Worx Co., 2003).

Miyauchi Hiroshi is probably one of the most recognized faces in Tokusastu TV happening appeared and starred in a number of Tokusatsu shows. Among the characters he’s portrayed are Kazami Shiro/Kamen Rider V3 (Kamen Rider V3 – Toei/Ishinomori Pro, 1973), Shimei Akira/Ao Ranger (Himitsu Sentai Go-Ranger – Toei/Ishinomori Pro, 1975), Banba Sokichi/Big One (JAKQ Dengeki Tai – Toei/Ishinomori Pro, 1977), Hayakawa Ken/Zubat (Kaiketsu! Zubat – Toei/Ishinomori Pro, 1977), Commander Masaki Shunsuke (Tokkei WindSpector <Special Command WindSpector> Toei/Ishinomori Pro, 1989); (Tokushu Shirei Soulbain <Special Directive Soul Bain> – Toei/Ishinomori Pro, 1991) and Captain Miura (Choriki Sentai OhRanger - Ishinomori Pro, 1995)

Sakamoto Taro is no stranger to the Japanese Tokusatsu genre, having directed episode installments for such series as “Go Sei Sentai Dai Ranger” (Toei; 1993), “Cho Kou B-Fighter” (Toei, 1995), “Bi Shojo Powatoreen” (Toei, 1990), “Ninja Sentai Kaku Ranger” (Toei, 1994) and Hyakujyu Sentai Gao Ranger” (Toei, 2001) among others.

Writer Tsuchiya Tokio also provided the script for the live-action adaptation of the Anime “Cat’s Eye” (Toho, 1997).

Director Tanaka Hideo has also directed many episodes for such Tokusatsu shows as “Uchu Keiji Gavan” (Toei, 1982), “Uchu Keiji Shariban” (Toei, 1983), “Uchu Keiji Shader” (Toei, 1984), and “Kaiketsu Zubat” (Toei, 1977).

Writer Hashimoto Izo is best known for his work on the Otomo Katsuhiro project “Akira” (Toho, 1988). He also wrote and directed the sequel to the chilling cult firm “Shiro No Wana AKA Evil Dead Trap” film “Shiro No Wana 2 – Hideki” (Japan Home Video, 1992). He also the screenplay for the films “Hyoryu Kiyoshitsu AKA The Drifting Classroom” (Toho, 1987) and “Kujaku Oh AKA The Peacock King” (Toho, 1988).

Director Oi Toshio has also directed episodes of the Sentai series “Ninpu Sentai HurriCangers” (Toei, 2002).

Toda Hiroshi has also penned stories for such Anime series as “Tatakae! Otokojuku” (1988), “Hokutou No Ken 2” (1987), “Majou No Tenshi – Creamy Mami” (1983) and Ranma ½ (1989).

Writer Azuma Masayoshi also penned the scripts for such projects as “Toriko” (Image Factory/IM; 1995) and its subsequent sequels. He also is the screenwriter behind such “direct-to-video” films as “Koroshi No Gundan” (Cinema Paradise; 2001).