Playgirl      (By Jmaruyama)

Japanese Title:

Playgirl

 

Air Dates:

4/7/1969 to 9/30/1974

 

Number of Episodes:

287

 

Broadcast:

Tokyo Channel 12 (now TV Tokyo Channel 12)

 


Producer (s):

Toei - Yoshino Seiichi, Okubo Tadayuki, Yoshimura Aruo, Abe Seiji
Channel 12 –Koyama Yasuhei, Oga Testuro, Kondo Kazuyoshi, Yamazaki Nohei

 

Original Screenplay:

Togawa Masako

 

Series Director (s):

Takemoto Hirokazu, Nakagawa Nobuo, Tsumazaki Kimio, Ida Motomu, Igayama Masamitsu

 


Series Writer (s):

Ikami Masaru, Tsumazaki Kimio, Oshikawa Kuniaki, Wanahashi Kazuo, Matsuda Hirou, Yamazaki Iwao

 

Music:

Yamashita Takeo

 

- Togawa Masako (Makoto Masako)
- Sawa Tamaki (Sawamura Tamaki)
- Midori Mako (Ichijou Mako)
- Oh Ran-Fan (Lan-Fan)
- Kuwabara Yukiko (Hara Yukiko)
- Mari Akemi (Hoshi Akemi)
- Yashiro Masako (Godai Masako)
- Han Bunjaku (Yuming Darowa)
- Taka Mariko (Niwa Runako)
- Oshida Reiko (Ota Reiko)
- Nishio Mieko (Yamao Mieko)
- Katayama Yumiko (Kataoka Yumiko)
- Fukada Mimi (Tamura Mimi)
- Ota Kiyomi (Ichijo Kiyomi)
- Watanabe Yayoi (Tanabe Yayoi)
- Miyazono Junko (Miyano Junko)
- Yanami Eiko (Minami Eiko)
- Hishimi Yuriko (Hishida Yuriko)
- Azuma Michi (Higashida Michiko)
- Obari Sanami (Kobari Sanami)
- Natsuki Reina (Natsui Reina)


 

When mystery novelist and independently wealthy socialite Makoto Masako decides to start a business she settles upon a unique Insurance & Investigation Service. Recruiting a number of beautiful “thrill seeking” amateur detectives, and setting up shop in a fabulous Tokyo apartment/office Masako and company form the ”PLAYGIRL(s)” as they affectionately call themselves.

Masako and her “daughters” begin investigating various interesting cases and mysteries on behalf of their company’s benefactors. While the bulk of their cases involve solving insurance scams, white collar crimes, fraud, white slavery, robbery and other assorted organized criminal ventures, some of their cases bordered on the bizarre and strange ( i.e. battling ghosts).

During the course of their adventures “mother” Masako decides to travel the world and leaves the business in the trusted hands of her “eldest daughters” Tamaki and Masako. Several other “sisters” decide to leave the agency through the course of the series. To replace their ranks additional “sisters” are recruited to join, many “adopted” on some of their various assignments.

After five years, “elder sister” Tamaki is recruited by InterPol to head one of their foreign offices. Tamaki reluctantly decides to close the office while the rest of the team head off on their own pursuits and adventures.

 

Abe Seiji went on to help co-produce most of the Kamen Rider movies including “Go Go Kamen Rider” (1971), “Kamen Rider Tai Shocker” (1971), “Kamen Rider Tai Jigoku Taishi” (1972), “Kamen Rider V3” (1973), “Kamen Rider V3 Tai Destron” (1973), “Kamen Rider X” (1974), “Go-Nin Kamen Rider Tai King Dark” (1974), “Kamen Rider Amazon” (1975), “Kamen Rider Stronger” (1975). He also helped co-produce “The Kage Star” (1976) and “Kagaku Sentai Dynaman” (1983). He acted as producer for “Kamen Rider – Hachi Nin Rider Tai Ginga Oh” (1980) and “Kamen Rider Super One” (1981).

Takemoto Hirokazu directed episodes for “Captain Ultra” (1967), and later went on to direct episodes of “Uchu Tetsujin Kyodain” (1976), “Spider-Man” (1978) and “Denji Sentai Denjiman” (1980).

Ikami Masaru went on to write on such projects as “Go Go Kamen Rider” (1971), “Kamen Rider Tai Shocker” (1971), “Kamen Rider Tai Jigoku Taishi” (1972), “Henshin Ninja Arashi” (1972), “Kyojin Barom One” (1972), “Kamen Rider V3” (1973), “Kamen Rider V3 Tai Destron” (1973), “Kamen Rider X” (1974), “Go-Nin Kamen Rider Tai King Dark” (1974), “Kamen Rider Stronger” (1975), “Dai Tetsujin One Seven”.

Jazz Musician/Composer Yamashita Takeo has done music scores for a number of projects including “Giant Robo” , “Shichi Nin No Keiji” and “Okawa Echizen”. Next to “Playgirl” the series that he is most often identified with is “Lupin The Third” to which he composed the catchy jazzy theme.

During its run, a whopping twenty two (22) actresses were part of the "PLAYGIRL(s)" at one time or another. Most of the actresses were regular bit players of Nikkatsu and Toei Films. Some were also models, pinups and/or singers. Usually each episode featured no more than five of the girls at one time. Each episode would try to rotate the cast around but inevitably some of the actresses were featured more often than others, due to their popularity among audience members.

With its unique brand of risqué humor, sexy action and touch of T & A, the show commanded at one time almost an unprecedented 17.8% rating.

Amazingly, “Playgirl” pre-dates “Charlie’s Angels” by a good 6 years! Yet the similarities are almost too shocking (Could Aaron Spelling have gone to Japan at one time and catch an episode?)

Very similar in style to "The Avengers" and "Honey West".

While the “Playgirl” TV Series is technically unrelated to the Adult Magazine “Playboy” & “Playgirl”, the look and feel of the show did hint at and play on the adult magazine's popularity, even going so far as to spoof the style of their logo font.

Multi-talented Togawa Masako was a Scriptwriter, author and chanson singer. She was born in 1933 in Tokyo, Japan. Lost her father and brother in WWII. Rose to fame as a chanson singer after the war. Became infatuated with Mystery Novels and began work as a writer. In 1962 won the “Edogawa Ranpo Award” for her novel “Okinaru Genei” (The Growing Illusion). A year later so wrote the novel “Kari Nin Nikki” (Story of A Hunter) which won her more attention with its bold sexual content. Has written steadily since then. “Playgirl” is based her original screenplay.

Sawa Tamaki was born Yamamoto Masako in 1937 in Kanegawa Prefecture. She won first prize on the Radio Contest “Daigaku Kachinuki Utagatsen” (The Collegiate Elimination Singing Contest). Made her singing debut in 1956 with the song “Bedo De Tabacco O Suwanaide” (Don’t Smoke In Bed). After “Playgirl” she went on to star on the hit variety program “Koizumi No Quiz Derby” (Koizumi’s Quiz Derby). In 1996, she ran for public office as part of the “Sokagattkai” group of the “Tomei” Party. In 1998, she won a seat as a member of the House of Councilors and became a Committee Member on the Japanese Welfare Ministry’s Labor Relations Board. Sawa reprised her role as former “Playgirl” leader Sawamura Tamaki in the 2003 theatrical remake of “Playgirl”. Shortly after, Sawa passed away in August of 2003 due to a heart ailment.

Midori Mako also starred in the cult movie favorite “Moju” (AKA Blind Beast).

Multi-talented Oh Ranfan has appeared in a number of films and TV series under a variety of names including Kondo Shigeko, Mise Shigeko, In Ranfan and Oh Chu Ki. Born in 1938 in London, England to Chinese Parents who were naturalized Japanese Citizens, Oh Ranfan soon returned to Japan after the War and eventually entered a career in acting. She is probably most familiar to audiences as the beautiful “Moru” (Silvar) in the Tokusatsu series “Magma Taishi” (Ambassador Magma AKA Space Giants; Fuji TV, 1966). A real life “thrill seeker”, Oh Ranfan is an accomplished scuba diver and skydiver even in her 60’s.

Yashiro Machiko also co-starred with Oh Ranfan in the series “Magma Taishi”, where she portrayed Mamoru’s (AKA Mikko) always supportive mother Murakami Tomoko.

Exotic model/actress Han Bunjaku first wowed audiences as “June Sanders” in the immensely popular Woman’s Volleyball drama “Sign Wa V” (The Sign is V(ictory); TBS, 1969). Born in Tokyo, Japan in 1948 to Chinese Parents who were naturalized Japanese citizens, she first started out as a magazine and fashion model. Graduated from Sophia University majoring in International Studies. Also starred in another wildly popular Japanese Detective series, “G-Men ‘75” (TBS, 1975) where she portrayed the gutsy Inspector Yoshikawa. Passed away due to heart failure in November 2002 at the young age of 54. Used the odd stage name of “Han The Maja” (Han The Enigma) when she starred in Playgirl.

Tall and leggy Oshida Reiko starred in a couple of Toei “Sukeban” sexploitation movies including “Zubeko Bancho: Yume O Yoru Hiraku” (Dreams Open The Night; Toei, 1970) and “Zubeko Bancho: Tokyo Nagare Mono” (Tokyo Wanderers; Toei, 1970). The Kyoto native also released a couple of song singles as an artist under the Sony Music label.

Sweet faced Katayama Yumiko first made her mark as Agent U5 in "GIANT ROBO" (AKA Johnny Sakko & His Flying Robot; NET, 1967). Shedding her “nice girl” image, Katayama soon reappeared as a sexy brown-haired “bad girl” in a number of Toei’s “Sukeban” Movies such as “Zenkan Onna: Koroshi Bushi” (Woman Criminal: Killer's Song; Toei, 1973), “Jyoshu 701 Go: Sasori” (Female Prisoner #701: Scorpion; Toei, 1972), and “Bankoku Roku” (Juvenile Rock; Toei, 1972).

Fuda Mimi, who played the youngest member of the “Playgirl(s)” also portrayed Yurika (BattleHawk Queen) in the Tokusatsu Show “Battle Hawk” (Tokyo TV/Dynamic Pro, 1976).

Watanabe Yayoi is also another veteran of the Toei’s “Sukeban” and exploitation movies and has had supporting roles in such films as “Jyoshu 701 Go: Sasori” (Female Prisoner #701: Scorpion; Toei, 1972), “Jyoshu Sasori – Kemono No Beya” (Female Prisoner Scorpion – Beast’s Lair”; Toei, 1973), “Jyoshu Sasori – Urami Bushi” (Female Prisoner Scorpion – Grudge Song”; Toei, 1973), “Wolf Guy – Moerou Okami Otoko” (Wolf Guy – Burn; Toei, 1975), “Bosou Panic – Dai Gekitotsu” (Wild Panic – Big Clash; Toei, 1976), “Onna Bancho Blues – Mesu Bachi No Gyakushu” (Female Juvenile Boss – Revenge of The Queen Bee; Toei, 1971), and “Seijyu Gakuen” (AKA School of the Holy Beast; Toei, 1974).

Yanami Eiko has appeared in “Gamera Tai Shingai Kaijyu Zigra” (AKA Gamera vs. Zigra; Daiei, 1971) as Lady X (Research Officer Sugahara Chikako of the Japanese World Moon Base).

Tokusatsu Idol Hishimi Yuriko made many a kid swoon as the darling Officer Yuri Anne in the seminal Ultraman series “Ultra Seven” (Tsuburaya/TBS, 1968). Shedding her “nice girl” image, Hishimi Yuriko displayed her more “adult” side as Hishida Yuriko in “Playgirl”. Hishimi continued to take on more “bad girl” roles in bit parts for such Toei “exploitation” films as “Furyo Bancho – Ichimodaijin” (Juvenile Delinquents – The Big Roundup; Toei, 1971), “Furyo Bancho – Honemade Shabure” (Juvenile Delinquents – Grind To The Bone; Toei, 1972), “Shin Jinginaki Tatakei – Kumicho No Kubi” (New – Fight Without Honor or Humanity – The Boss’ Neck; Toei, 1975). She also can be seen briefly in the movie “Chikyu Kogeki Meirei: Gojira Tai Gaigan” (AKA Godzilla vs. Gigan/Godzilla On Monster Island; Toho, 1972). She has appeared in a variety of Men’s Magazines including nude portfolios and coffee table books. Recently a number of oversized books have been released featuring many of Hishimi’s pinup photos and nude layouts. She briefly returned to the “Ultra” series in “Ultraman Zearth 2” (Tsuburaya/Shochiku; 1997).

Obari Sanae can also be seen in such movies as “Onna Hissatsu Ken” (AKA Sister Streetfighter; Toei, 1974), “Onna Bancho – Tamatsuki Asobi” (Female Juvenile Boss – Billiards; Toei, 1974) and “Seijyu Gakuen” (AKA School of the Holy Beast; Toei, 1974).